Paintings and sculptures often represent those with power, not the working class. Yet, a current exhibit at Washington, D.C.’s National Portrait Gallery, “The Sweat of Their Face: Portraying America’s Workers,” not only highlights workers, it also invites us to consider the contradictions of work and how it has changed.
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Just a few days after white supremacists marched in Charlottesville, my husband and I went to see Kathryn Bigelow’s film, Detroit. Set amid the 1967 uprising 50 years ago this summer, the film focuses primarily on the brutal torture and the murder of three black men by police officers that took place that week at the Algiers Motel.
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The elites who turned a blind eye to an economic cataclysm are now blaming the victims.
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Other than Hillary Clinton’s adoption of Bernie Sanders’s proposal to make college tuition free for most Americans, we haven’t heard much about education in this year’s election. The focus has been on economic inequality, immigration, trade, and national security – all important issues, of course.
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Academe is a privileged place. It was designed to serve and continues to be dominated by people from educated, well-off backgrounds. Its hierarchical rituals and values define the university as separate from and more “refined” than the so-called “real world.”
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