This volume seeks papers that take the concept of white working class seriously, as both category and thing-in-itself, while focusing a critical gaze on its deployment, use, and misuse.
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I came in through the back entrance. It offered a clue to one strength of The Sweat of their Face: Portraying American Workers, an exhibition at the National Portrait Gallery, Washington, D.C. (through September 3 2018). Greeting me was Ramiro Gomez’s “Woman Cleaning Shower in Beverly Hills (after David Hockney’s Man Taking Shower in Beverly Hills, 1964)”.
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